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  • DeadlineStudy Details: MA 1 year 3 months full-time

Course Description

MA Illustration and Visual Media provides a critical space in which traditional definitions of this field can be challenged, deconstructed and reconfigured to provide a unique platform from which our graduates can move into professional practice as autonomous artists.

What can you expect?

MA Illustration and Visual Media is distinctive in its emphasis on students developing their own bodies of work. We do not believe that illustration is a philosophy of practice or self-contained discipline in the contemporary visual world - moreover it is one of many contexts in which images may exist on or offline.

Through experimental practice-led research, you will develop an independent and critical relationship to the contemporary image, with the potential to work across a broad range of specialist visual media.

You will have access to LCC's significant resources in digital and time-based media alongside printmaking, 3D and photography. This environment encourages experimental and reflective practice and the opportunity to work alongside your peers in technical workshop and studio environments.

The course begins by helping you to position yourself with a critical understanding of working as an artist-researcher at postgraduate level. Through studio and seminar sessions you will be introduced to a range of critical and theoretical ideas, and explore the ways in which artists use research, which will develop your ability to contextualise your own practice.

As you progress through the course you will be supported in generating bodies of self-authored creative work that extend your personal visual language and approach to the made image.

Throughout the course you will be asked to produce reflective writing that helps you to position your work in a critical context that relates to contemporary thought in visual culture, culminating in a Final Major Project and Thesis.

The course supports you in progression to research at MPhil/PhD level as well as to advanced self-directed experimental practice.

Entry Requirements

The course team welcomes applicants from a broad range of backgrounds, from all over the world. The course has a particular aim to appeal to image-led art & design graduates that are interested in exploring expanded and emerging areas of visual practice. 

Applicants are expected to have an honours degree in either illustration, fine art or closely related subjects, however, we do accept candidates who have graduated from other less strongly aligned disciplines. 

The course team also welcomes students with relevant experience or those who may have previously worked in industry.

Educational level may be demonstrated by:

  • Honours degree (named above);
  • Possession of equivalent qualifications;
  • Prior experiential learning, the outcome of which can be demonstrated to be equivalent to formal qualifications otherwise required;
  • Or a combination of formal qualifications and experiential learning which, taken together, can be demonstrated to be equivalent to formal qualifications otherwise required.

APEL (Accreditation of Prior Learning)

Applicants who do not meet these course entry requirements may still be considered in exceptional cases. The course team will consider each application that demonstrates additional strengths and alternative evidence. This might, for example, be demonstrated by:

  • Related academic or work experience
  • The quality of the personal statement
  • A strong academic or other professional reference
  • OR a combination of these factors

Each application will be considered on its own merit but we cannot guarantee an offer in each case.

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Fees

For fees and funding information, please see website 

Student Destinations

Graduates from this course have gone on to work in a range of professions in the creative world including practising artists, freelance image makers, art writers, curators and commercial galleries, as well as progressing to further study at PhD level.

One of your key attributes will be an ability to translate narrative images across media. You will have the facility to deploy narrative illustrative content in books, online, animation and interactive and environmental settings. This will be coupled with an agile critical perspective ensuring you have the creative drive to sustain a career in the creative industries.

Module Details

Autumn, Term One

  • The Emergent Image (40 credits) - This unit aims to provide you with an introduction to working as a postgraduate image maker. You will start to develop a portfolio of experimental, challenging image-based work from a variety of material and contextual starting points and begin to identify (an) individual line(s) of enquiry within your visual practice that will be developed further in subsequent course units.
  • The Critical Image (20 credits) - This unit aims to provide you with a critical understanding of working as an artist-researcher at postgraduate level. You will be introduced to a range of critical and theoretical ideas, which will develop your ability to contextualise your own practice.

Spring, Term Two

  • Collaborative Unit (20 credits) - This unit will allow you to define who you are as a collaborator and support you to create a small-scale collaboration of your choosing. You will develop an understanding of what collaboration could be and how you can locate collaboration within your own practice. Understanding who you are as an image maker will be key to developing a productive collaboration.
  • The Authored Image (40 credits) - Throughout this unit you will develop your individual visual language and approach to the image, allowing you to focus on specific areas of interest and specialising in techniques particular to your practice. The unit will explore the expanded field of contemporary image making, giving you an understanding of the range of practices and approaches that this can include. You will work on one self identified project throughout the unit, examining methodologies of working for exploratory projects that add to the broader research culture of the subject.

Summer, Term Three

  • The Contemporary Image: Final Major Project and Thesis (60 credits) - You are asked throughout this unit to engage in a major project in which the emphasis will be on defining, analysing, developing and contextualising an individual and focused approach to contemporary image making. The Final Major Project must be self-identified and lead on from the work you made in The Authored Image Unit, while also building on what you have learned in earlier studio units and the critical content of course seminars and workshops. You will also write a thesis, which will be a piece of independent critical writing that explores an area of visual practice related to the studio work you make in your Final Major Project.

Autumn, Term Four

  • The Contemporary Image: Final Major Project and Thesis (continued)

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